Ghita club!

[math0]

Variations on a Theme of Mozart
Trình bày: LAURINDO ALMEIDA
[stream]http://hanvota.com/nhac/guitar/LP/almeida/romantic-01.mp3[/stream]

[Hoa Vinh]

Ai học Ghita cũng phải biết đánh bài này

[focus]

Ai học Ghita cũng phải biết đánh bài này

Chi mà phải qua chỗ khác nghe rứa chú.

Đây, nghe luôn ở QBO nhé.

[stream]http://media.chacha.vn/0bdee7fff16a0007d6129671c10fee4b/48aa203a/media/artist/1213/4217.mp3[/stream]

Xem và nghe ở đây

[youtube]http://www.youtube.com/watch?v=MqxqHJpW1rY[/youtube]

Kết hợp Nghe - Xem - Đọc cho luôn hè

Hotel California

On a dark desert highway, cool wind in my hair
Warm smell of colitas, rising up through the air
Up ahead in the distance, I saw shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night
There she stood in the doorway;
I heard the mission bell
And I was thinking to myself,
'This could be Heaven or this could be Hell'
Then she lit up a candle and she showed me the way
There were voices down the corridor,
I thought I heard them say...

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
Plenty of room at the Hotel California
Any time of year (Any time of year)
You can find it here

Her mind is Tiffany-twisted, she got the Mercedes Benz
She got a lot of pretty, pretty boys she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget

So I called up the Captain,
'Please bring me my wine'
He said, 'We haven't had that spirit here since nineteen sixty nine'
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say...

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
They livin' it up at the Hotel California
What a nice surprise (what a nice surprise)
Bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said 'We are all just prisoners here, of our own device'
And in the master's chambers,
They gathered for the feast
They stab it with their steely knives,
But they just can't kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
'Relax,' said the night man,
'We are programmed to receive.
You can check-out any time you like,
But you can never leave!'

[xuxukalo]

Hotel California

On a dark desert highway, cool wind in my hair

Hotel Caliornia

Có nước mắn cho tui xin chén, có tí ớt xin luôn...

[math0]

Romance de Amor demonstrates Xue Fei Yang's ability to blend technical virtuosity with a depth of musicianship. On it, Yang conquers songs from many areas of the globe: Great Britain, China, Spain, as well as others. There is no doubt that Yang has mastered the guitar: she has won international contests and the recognition of world renowned guitarists and composers. However, can she create a cohesive album that will reflect her varied influences in a way that places the whole over any one composition?

Yang seems to be most strongly drawn to the Spanish guitar. She opens the CD with her version of Albeniz's Asturias. She plays this and other Spanish songs with a mellifluous picking technique which enables the melody to stand out over the droning high notes that she plays subtly under the melody. Yang plays Asturias faster than I have heard it in the past. The speed and fluidity of the beginning of this track creates a nice juxtaposition to the slow, languid ending. For the album, she picked many compositions that benefit from her ability to play at a blisteringly fast pace: she performs Sagreras' El Colibri in just over a minute. The clarity of each note in such songs does not give the listener the feeling that such songs are rushed; rather Yang uses her technical abilities effectively to extract and emphasize different feelings and emotions in each song.

Non-Spanish guitar songs are intersperced throughout the album. Yang performs a gentle version of the Beatles' Michelle early in the album. This song is performed too sweetly for my own personal taste. Her version transforms a moving pop love song into something that you might hear in the background at a supermarket: an ersatz version of the original, played with a different feeling than the Beatles intended the song to convey. Later in the CD Yang performs Sakura, a piece by the Japanese composer Yuquijiro Yocoh. This track utilizes a range of picking techniques, which demonstrates a large range of the guitar's qualities that are not often evoked in Spanish guitar music. Pieces like Sakura go along nicely with the album's overall theme of romance. The word "sakura" means "cherry blossom" in Japanese. In Yang's native China, the cherry blossom symbolizes feminine beauty and sexuality.

It is no surprise that Xue Fei Yang has drawn so much praise for her mesmerizing playing. Romance de Amor shows that Yang is able to create an album that not only showcases her own abilities, but truly benefits the songs on the album as a whole. On Romance de Amor, Yang presents compositions from all over the world, but she gives the album an overall feeling of cohesion. She plays each of these tracks beautifully, and in a way that will draw this listener back for years to come.[stream]http://rs.canhac.com/music1100/Xuefei%20Yang%20-%20Romance%20de%20Amor/Output/Xuefei%20Yang%20-%20Romance%20de%20Amor%20-%2002%20-%20Romance%20de%20Amor.cnc[/stream]

[kelapdi]

Hy vọng một ngày nào đó được nghe a Math0 biểu diễn.
E cũng thích nghe guita cổ điển. Tại vì phong cách đó quý tộc quá mà mình thì cục súc nên không hợp để đánh.

[math0]

Rock guitar- nghe quá đã
[youtube]http://www.youtube.com/watch?v=CEverENV58s&feature=related[/youtube]

[math0]

Nghe thử một bản nhạc Ý xem thế nào.

[stream]http://www.jsayles.com/music/saltarello.mp3[/stream]
Saltarello.

[math0]

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[Xvetta]

Nghe Ghi ta hay quá!